April 21, Colombo (LNW): A concerning shortage of 40,000 teachers across schools throughout the country has been brought to light by Joseph Stalin, Secretary of the Ceylon Teachers’ Union.
In a recent briefing, Stalin highlighted the critical deficiency in teaching staff spanning various provinces, including the Western, Eastern, North-Central, Southern, and Uva Provinces.
The Western Province faces the most acute shortage, with nearly 7,000 teaching positions unfilled, according to the union’s findings.
Similarly, the Eastern Province reports approximately 3,800 vacancies, while the North-Central Province records 3,698 vacancies.
The Southern Province contends with 3,100 vacancies, and the Central Province reports nearly 6,200 vacancies.
Stalin voiced concern over what he believed as deliberate delays by the government in appointing teachers, ostensibly to mitigate government expenditures.
He warned of the imminent consequences for schools in these regions if the existing vacancies remain unaddressed.
Despite the government’s recruitment drives, including the hiring of 2,500 teachers on two occasions for the Western Province, the Union Secretary criticised the efficacy of these efforts.
He lamented the lack of proper recruitment procedures, noting the potential repercussions as schools prepare to commence the new academic term without adequate teaching staff.
In light of these challenges, Stalin underscored the urgent need for a systematic approach to assigning teachers to existing vacancies, thereby emphasising the importance of prioritising the education sector’s staffing requirements.
April 18, Colombo (LNW): The Sri Lanka Baseball community extends its heartfelt condolences following the tragic loss of Ashraf Awad Murad, a prominent figure in Palestinian baseball, who fell victim to the ongoing conflict.
Murad, a pivotal figure in the Palestinian baseball scene, played a significant role in elevating the sport in his country.
Despite the backdrop of war, Murad’s dedication to baseball provided solace and inspiration to his fellow players and compatriots.
Murad (circled in black) with the Sri Lankan Baseball Team during the West Asian Baseball Championship
Hailing from a background in karate, Murad transitioned to baseball, demonstrating a deep passion for sports.
Under his leadership, the Palestinian baseball team achieved notable success, including an impressive runner-up finish in the 2023 West Asian Baseball Championship, despite their relatively recent introduction to the sport. Murad’s team even defeated Sri Lanka on its way into the runner-up finish in the tournament.
Tragically, Murad’s life was cut short on March 26, when he was fatally wounded by the Israeli Army.
His untimely demise sent shockwaves through the global baseball community, leaving behind a legacy of resilience and determination.
The Palestinian Ambassador presents a framed photograph of Murad to Theekshana Gammanpila. Subhash Gunasinghe also graced the event with his presence.
In a gesture of solidarity and respect, representatives from Sri Lanka Baseball, including Theekshana Gammanpila, Chief Executive, and Subash Gunasinghe, President of the Baseball Select Committee, met with Dr. Suheir MH Darsheid, the Ambassador of Palestine to Sri Lanka, to express Sri Lanka’s condolences for Murad’s loss.
The Palestinian Embassy, in a statement, confirmed Murad’s tragic fate, revealing that he was targeted by the Israeli Army and subsequently killed.
Murad’s family members were reportedly taken hostage following his death, adding further anguish to the already devastating situation.
In honour of Murad’s memory, the Palestinian Ambassador presented a framed photograph of Murad to Sri Lanka Baseball representatives, underscoring his enduring impact on the sport and his unwavering commitment to his country.
Murad’s legacy transcends the baseball field, serving as a beacon of courage and resilience in the face of adversity.
His contributions to Palestinian baseball and his remarkable leadership will be remembered and cherished by all who had the privilege of knowing him.
As we mourn the loss of Ashraf Awad Murad, we pay tribute to his remarkable achievements and steadfast dedication to the sport he loved.
Sri Lanka’s thoughts and prayers will be with his family, friends, and the entire Palestinian baseball community in accordance with his cultural and religious devotions during this difficult time.
Literature and songwriting, though seemingly distinct art forms, share a symbiotic relationship that enriches both. Songwriting, with its melodic rhythm and lyrical storytelling, draws inspiration from the vast reservoir of literary works spanning across genres and epochs. This attempt is made to explore the intricate interplay between literature and songwriting, delving into how literature matters in shaping the craft of songwriting, enriching its themes, narratives, and emotional depth by diving into the career of perhaps the most influential solo artist in the modern times: Taylor Swift.
Taylor stands as a towering figure in contemporary music, celebrated not only for her melodic prowess but also for her exceptional songwriting abilities. With a career spanning over a decade, Swift has mastered the art of storytelling through song, captivating audiences with her heartfelt lyrics, infectious melodies, and keen observational skills. In her own words she predominantly identifies herself as a songwriter and her voice as ‘just a way to get the lyrics across’ and there is a multifaceted brilliance to Taylor Swift as a songwriter, exploring thematic depth, narrative craftsmanship, and having an incredibly enduring impact on the music industry.
Literature serves as an enduring muse for songwriters, offering a treasure trove of themes, characters, and narratives ripe for interpretation. From Shakespearean tragedies to contemporary novels, literature provides a rich tapestry of human experiences, emotions, and dilemmas. Songwriters often draw inspiration from classic literary works, reimagining their essence through the medium of music. Bob Dylan, for instance, infused his folk ballads with the poetic imagery of William Blake and the social commentary of John Steinbeck, elevating his songwriting to a level of literary significance.
Especially in the case of Taylor who had admitted on several occasions of having drawn inspiration from unparalleled Literature figures of Shakespeare; William Wordsworth; Hawthorne; Robert Frost and Emily Dickinson. All these figures fundamentally have one thing in common; which is their minute attention to details and enrichment in thematic depth in their Literature works and coincidentally (or not) one of the hallmarks of Taylor Swift’s songwriting is her thematic depth, as she fearlessly explores the complexities of human relationships, emotions, and experiences. From the innocence of teenage romance to the heartache of betrayal and the resilience of self-discovery, Swift’s songs traverse a wide spectrum of emotions with poignancy and authenticity. She has an unparalleled ability to distill universal truths from her personal experiences, resonating with listeners across generations.
Swift’s early albums, such as “Fearless” and “Speak Now,” are characterized by their candid portrayal of youthful infatuation and heartbreak. Tracks like “Love Story” and “You Belong with Me” capture the innocence and longing of teenage love, while songs like “White Horse” and “Back to December” delve into the pain of lost love and regret. As Swift’s career evolved, so did her songwriting, tackling themes of empowerment, self-acceptance, and resilience in albums like “1989” and “Reputation.” Tracks like “Shake It Off” and “Blank Space” showcase Swift’s ability to reclaim her narrative and defy expectations, while songs like “The Archer” and “Lover” reveal her vulnerability and introspection.
There’s also references that Swift has used of her inspirations in many of her songs. For instance in her songs “Love Story” and “Timeless” Swift references the story of Romeo and Juliet which is a classic Shakespearean Tragedy to illustrate themes of forbidden love and destiny. Additionally her song “The Last Great American Dynasty” from the album “Folklore” draws inspiration from the life of Rebekah Harkness; a socialite whose story parallels themes found in Nathaniel Hawthorne’s works particularly in his exploration of societal expectations and individualism. While Swift’s songs may or may not explicitly mention characters from these literary figures her lyrics often echo the emotional depth and narrative complexity found in their works showcasing her appreciation for Literature’s enduring influence on her songwriting.
Literature enhances the narrative depth and emotional resonance of songwriting, imbuing it with layers of meaning and complexity. Just as a well-crafted novel immerses readers in its intricately woven plot and multi-dimensional characters, a meticulously composed song transports listeners into a world of emotions and experiences. Through the artful use of metaphor, symbolism, and allegory, songwriters evoke the same depth of feeling found in literary masterpieces.
Furthermore, literature provides songwriters with a vast arsenal of literary devices and techniques to enhance their craft. From the evocative imagery of poetry to the narrative structure of novels, songwriters borrow from the literary toolbox to craft lyrics that resonate on both intellectual and emotional levels. By tapping into the universal language of literature, songwriters transcend the constraints of time and space, creating songs that resonate across generations and cultures.
And at the heart of Taylor Swift’s songwriting is her exceptional narrative craftsmanship, as she weaves intricate stories that unfold like chapters in a novel. Swift is a master storyteller, adept at painting vivid portraits of characters, settings, and emotions through her lyrics. Her songs are imbued with rich detail and imagery, allowing listeners to immerse themselves in the worlds she creates.
Taylor Swift’s songwriting prowess is celebrated through her distinct approach, characterized by “quill lyrics,” “fountain pen lyrics,” and “glitter gel pen lyrics,” showcasing her versatility in crafting songs rooted in antiquated poeticism, modern narratives, and lively themes. Her ability to traverse these styles reflects her mastery of language and narrative, resonating deeply with audiences across diverse themes and emotions. Critics and industry accolades highlight Swift’s unparalleled influence, with the National Music Publishers’ Association awarding her the Songwriter Icon Award in 2021 and the Nashville Songwriters Association International naming her the Songwriter-Artist of the Decade in 2022. Swift’s literary contributions extend beyond music, with her original poems further showcasing her multifaceted talent as a wordsmith and storyteller.
Literature scholars and publications acclaim Swift’s unique blend of literary sophistication and melodic ingenuity, elevating her as one of the greatest songwriters ever. Notable scholars like Jonathan Bate and Stephanie Burt recognize her ability to convey raw emotion and introspection, while Time magazine dubbed her the “Queen of Bridges” for her skill in crafting captivating song transitions. Swift’s impact on contemporary music composition and storytelling is indisputable, solidifying her status as an icon in the music industry and inspiring a new generation of artists to embrace vulnerability, authenticity, and narrative depth in their craft.
One of Swift’s greatest strengths as a songwriter is her ability to capture the nuances of human relationships with authenticity and empathy. Whether she’s recounting a fleeting romance, a tumultuous breakup, or a moment of self-discovery, Swift approaches each story with sensitivity and depth. Her lyrics are filled with memorable lines and poignant observations that resonate with listeners on a deeply personal level. The story she narrates in “August”; “Cardigan” and “Betty” provides just enough evidence to her skill as a masterful storyteller.
Moreover, Swift’s songwriting is marked by its versatility and adaptability, allowing her to seamlessly transition between genres and styles. From country ballads to pop anthems to indie folk tunes, Swift has demonstrated her ability to excel in diverse musical landscapes while maintaining her distinctive voice as a songwriter much similar to how the literary personas navigated their careers from seemingly flamboyant and comedic acts to tragic nuances caused by human flaws or oversights. One of the classic examples to be given could be the expanse of Shakespeare’s works from a farce as hilariously uplifting as ‘Merry Wives of Windsor”; “Comedy of Errors” or “A Midsummers’ Nights’ Dream” to unbelievably advanced (in contemporary Elizabethan period) tragedies exploring the hidden mechanisms of humanity and the facades of deception such as “Othello”; “King Lear” or “Hamlet”.
Literature has long served as a vehicle for social commentary and cultural critique, shedding light on pressing issues of society and human condition. Similarly, songwriting has the power to provoke thought, challenge norms, and inspire change. Through their lyrics, songwriters often address themes of injustice, inequality, and political upheaval, echoing the tradition of literary giants who dared to speak truth to power.
Moreover, literature provides songwriters with historical context and cultural references that enrich their songwriting. Whether it’s Woody Guthrie chronicling the plight of Dust Bowl migrants or Kendrick Lamar exploring the complexities of race and identity in America, literature informs and shapes the socio-political landscape of songwriting. By drawing inspiration from literary works that confront the harsh realities of the world, songwriters infuse their music with a sense of urgency and relevance that transcends entertainment and enters the realm of activism.
It is more likely than not that this aforementioned cultural significance of Taylor Swift’s writing is the reasoning behind her impact on the music industry extends far beyond her chart-topping hits and record-breaking albums. As one of the most influential songwriters of her generation, Swift has inspired a new wave of artists to embrace vulnerability, authenticity, and storytelling in their music. Her willingness to speak openly about her own experiences and emotions has paved the way for greater honesty and transparency in the music industry.
Moreover, Swift’s advocacy for artists’ rights and creative control has sparked important conversations about ownership and autonomy in the digital age. Her decision to re-record her early albums in response to a dispute over the ownership of her master recordings highlights her commitment to reclaiming her narrative and asserting her artistic independence.
Swift has come a long way from the rejected 14 year old songwriter who couldn’t get into any of the labels she auditioned to become the winner of 14 Grammy Awards with the most wins (04) for the ‘Album of the Year’; 40 American Music awards (the highest for any artist); 39 Billboards awards (again highest for any artist tying with Drake); 118 Guinness world records; 23 MTV music video awards etc.; a phenomenal entertainer who is unparalleled by any in history. She is largely considered the greatest solo artist alive at the moment. All of these incidents to pass her songwriting did play a rather pivotal role.
Taylor Swift’s live performances are celebrated for their intimacy and emotional resonance, as she effortlessly connects with audiences through her storytelling and stage presence. Praised for her ability to transform stadium spectacles into intimate settings, Swift’s performances transcend mere entertainment, creating genuine connections with her fans. This intimacy echoes her prowess as a songwriter, where she crafts narratives that resonate deeply with listeners, drawing them into her world of emotions and experiences. Whether she’s strumming a guitar or leading an ensemble of dancers, Swift’s ability to maintain authenticity and vulnerability onstage underscores her status as both a captivating performer and an accomplished songwriter, whose music transcends boundaries and speaks to the hearts of millions.
In conclusion, literature matters deeply in songwriting, serving as a wellspring of inspiration, narrative depth, and social commentary. From the timeless themes of love and longing to the urgent issues of our time, literature enriches the craft of songwriting, elevating it to a form of artistic expression that resonates with the human soul. As songwriters continue to draw from the rich tapestry of literary works, the harmonious union between literature and songwriting will endure, creating music that transcends the boundaries of time and space as proven by how Taylor Swift’s impact as a songwriter cannot be overstated. Through her thematic depth, narrative craftsmanship, and enduring impact, she has redefined the boundaries of contemporary music and inspired a generation of artists to embrace storytelling as a powerful form of artistic expression. As Swift continues to evolve and innovate as a songwriter, her legacy will undoubtedly endure for years to come.
April 21, Colombo (LNW): Finance State Minister Ranjith Siyambalapitiya has outlined the prospective easing of import restrictions on vehicles, in light of the anticipated gradual increase in dollar reserves and the strengthening of the rupee in the future.
Speaking at a gathering in the Ruwanwella area, Siyambalapitiya disclosed that a committee has been tasked with conducting a comprehensive analysis aimed at systematically lifting constraints on vehicle imports.
Whilst acknowledging the economic challenges faced by the nation, the State Minister noted that import restrictions, initially imposed on a wide range of goods amidst the economic crisis, have now predominantly affected vehicle imports as the economy indicates signs of recovery.
The committee, in its mandate, will compile a list of essential and crucial vehicles for the nation, paving the way for future import activities aligned with national priorities.
Moreover, Siyambalapitiya stressed that forthcoming decisions regarding vehicle imports will be meticulously considered, taking into account various factors such as the types of vehicles to be imported, the possibility of importing used vehicles, the duration of such imports, and the impact on the country’s transportation infrastructure.
Addressing concerns about debt restructuring, the State Minister reassured that loan instalments are structured to suit the country’s economic capacity, ensuring timely repayments without diminishing reserves.
April 21, Colombo (LNW): President of the Vehicle Importers Association of Lanka (VIAL) Indika Sampath Merinchige has advocated for an expansion of the allowance for importing used vehicles alongside new ones, urging the government to consider extending the time-frame for such imports.
Merinchige stressed the importance of extending the current three-year time-frame for importing used vehicles to seven years or beyond.
This extension would enable importers to provide vehicles at more affordable prices compared to new ones, addressing the demand for cost-effective transportation solutions in the market, he emphasised.
Furthermore, Merinchige highlighted that allowing the importation of vehicles aged seven years or older would not adversely impact government tax revenue.
This assertion aims to raise concerns regarding potential revenue losses while emphasising the benefits of facilitating access to a wider range of vehicles for consumers.
April 21, Colombo (LNW): Sri Lanka finds itself at a critical juncture as negotiations with international bondholders hit a deadlock, casting a shadow of uncertainty over the country’s economy and its pending review by the International Monetary Fund (IMF), experts cautioned.
On Tuesday, Sri Lanka announced its inability to reach an agreement with international bondholders regarding the restructuring of more than US$ 12 billion in debt, a prerequisite outlined by the IMF.
This setback, according to Colombo-based economist Talal Rafi, leaves Sri Lanka in a default status and exacerbates concerns over credit ratings and foreign investment.
Rafi emphasised the overarching impact of this uncertainty, stating, “The lack of clarity hampers strategic planning efforts across various sectors.”
Last March, the IMF’s board approved a US$ 2.9 billion bailout package for Sri Lanka under a 48-month Extended Fund Facility (EFF) arrangement, aimed at supporting the country’s economic policies and reforms.
Sri Lanka is presently undergoing its second review, awaiting board approval for a staff-level agreement reached in March of this year.
This programme marks the seventeenth engagement between Sri Lanka and the IMF since 1965.
The impasse in debt restructuring talks also jeopardises Sri Lanka’s forthcoming IMF review scheduled for June, as debt restructuring remains a pivotal condition for IMF board approval.
Rafi underlined the potential delays in the approval process, cautioning about the ramifications on Sri Lanka’s economic stability.
The IMF programme focuses on reinstating macro-economic stability, ensuring debt sustainability, bolstering financial stability, and advancing growth-oriented structural reforms.
Sri Lanka’s default on foreign debt in April 2022 triggered its worst economic crisis to date, with official data revealing modest growth in gross official foreign currency reserves to US$ 4.5 billion by February.
Against the backdrop of an impending presidential election, pressure mounts on the Sri Lankan government to expedite negotiations.
Concerns arise regarding the viability of hastily struck deals, with fears that unfavourable terms may exacerbate Sri Lanka’s debt burden and potentially lead to a second default.
Presidential elections in Sri Lanka occur every five years, with the next scheduled between September and October.
Despite the stalemate in negotiations, Sri Lanka’s national security adviser and chief of staff to the president, Sagala Ratnayaka, affirmed the government’s commitment to continued dialogue with all stakeholders.
Finance State Minister Shehan Semasinghe reassured this sentiment, expressing hopes for ongoing discussions with bondholders to achieve consensus before the IMF board’s deliberations on Sri Lanka’s EFF programme.
However, Sergi Lanau, director of global emerging markets strategy at Oxford Economics, cautioned against expectations of swift resolutions, citing similar delays in debt restructuring negotiations elsewhere.
Reflecting on the negotiation process, W.A. Wijewardena, a former central bank deputy governor, lamented the absence of trust and transparency between parties, underscoring the challenges in reaching a mutually beneficial agreement.
April 21, Colombo (LNW): Sri Lanka has recently made a decision to import a significant quantity of onions from India through ‘Lanka Sathosa,’ a state-owned enterprise.
This decision comes in the wake of India’s announcement to lift the export ban on onions for its neighbouring nation, as part of Prime Minister Narendra Modi’s government’s ‘Neighbourhood First Policy’.
India, accordingly, has agreed to supply a stock of 10,000 metric tonnes of onions to Sri Lanka.
Discussions regarding the logistics of importing onions were conducted at the Ministry of Trade, considering whether to engage the state or private sector for the procurement process.
Ultimately, it was concluded that the imports will be facilitated through Lanka Sathosa.
Sathosa Chief Pasanda Yapa Abeywardena confirmed that the initial consignment will consist of 2,000 metric tonnes of big onions.
However, Trade Minister Nalin Fernando emphasised that Sri Lanka’s monthly requirement for big onions stands at approximately 20,000 metric tonnes.
April 21, Colombo (LNW): Five years have passed since the tragic Easter Sunday terror attack in Sri Lanka, a day that scarred the nation and left over 270 innocent lives lost.
Yet, despite the passage of time, justice for the victims and closure for their grieving families remain elusive.
On April 21, 2019, coordinated bombings targeted churches and hotels across the island nation, ripping through congregations gathered for Easter Sunday worship and tourists enjoying their holidays.
The carnage, carried out by a local extremist group with alleged international connections, sent shockwaves not only through Sri Lanka but reverberated globally, drawing condemnation and solidarity from around the world.
In the immediate aftermath, Sri Lanka plunged into mourning as families buried their loved ones and the wounded fought for their lives.
Amid the anguish and grief, there was a collective call for justice to be served swiftly and decisively.
However, five years on, the quest for justice has been fraught with challenges, delays, and unanswered questions.
Investigations into the attacks have been marred by bureaucratic hurdles, political infighting, and allegations of intelligence failures. Whilst some suspects have been arrested and brought to trial, including key figures believed to have orchestrated the attacks, progress has been slow, and convictions remain elusive.
Many families of the victims feel frustrated and disillusioned by the lack of accountability and transparency in the judicial process.
Moreover, concerns have been raised about the adequacy of security measures implemented in the aftermath of the attacks to prevent future atrocities.
Questions linger about whether sufficient lessons have been learned and reforms enacted to ensure the safety and security of all citizens, regardless of their faith or ethnicity.
The pursuit of justice for the victims of the Easter Sunday terror attack extends beyond the courtroom. It encompasses addressing the underlying factors that led to such a horrific act of violence, including religious extremism, communal tensions, and socio-economic disparities.
It requires fostering a culture of tolerance, understanding, and solidarity among Sri Lanka’s diverse communities, rejecting the divisive ideologies that fuel hatred and division.
Concerns raised both locally and internationally especially in the backdrop where the British ‘Channel 4’ citing verbal evidence from an undisclosed Sri Lankan government official and a political refugee unveiled a detailed story that the genocide was orchestrated with the political motive of bringing a certain candidate to the forefront of the 2019 Presidential Election which followed immediately after the attacks, but the government of Sri Lanka maintains its regular policy of denial towards such reports.
As Sri Lanka marks the fifth anniversary of the Easter Sunday terror attack, it is imperative that the authorities re-double their efforts to bring all those responsible to account, to provide closure for the victims’ families, and to uphold the principles of justice and rule of law.
The memory of those who perished in the attacks must serve as a reminder of the fragility of peace and the urgent need for unity and reconciliation in Sri Lanka’s journey towards healing and recovery.
April 21, Colombo (LNW): Showers or thundershowers will occur at several places in Western, Sabaragamuwa, Central and North-western provinces and in Galle and Matara districts after 2.00 p.m., with showers or thundershowers being expected to occur at a few places in Uva province and in Anuradhapura, Vavuniya, and Mannar districts during the afternoon or night, the Department of Meteorology said in its daily weather forecast today (21).
Showers will occur in the western coastal areas during the morning too, the statement added.
Misty conditions can be expected at some places in Western, Sabaragamuwa and Central provinces and in Galle and Matara districts during the morning.
General public is kindly requested to take adequate precautions to minimise damages caused by temporary localised strong winds and lightning during thundershowers.
Marine Weather:
Condition of Rain:
Showers or thundershowers will occur at several places in the sea areas off the coast extending from Puttalam to Matara via Colombo and Galle in the evening or night.
Winds:
Winds will be South-westerly or variable in direction and wind speed will be (20-30) kmph. Wind speed may increase up to (40-45) kmph at times in the sea areas off the coasts extending from Puttalam to Kankasanthurai via Mannar.
State of Sea:
The sea areas off the coasts extending from Puttalam to Kankasanthurai via can be fairly rough at times. Temporarily strong gusty winds and very rough seas can be expected during thundershowers.
Meanwhile, heat index, the temperature felt on human body is expected to increase up to ‘Caution level’ at some places in Northern, North-central, Western, Sabaragamuwa, Eastern, Southern and North-Western provinces and Monaragala district, the Natural Hazards Early Warning Centre of the Department said in a statement.
The public, therefore, is advised to stay hydrated and take breaks in the shade as often as possible, check up on the elderly and the sick, never leave children unattended, limit strenuous outdoor activities, find shade and stay hydrated, wear lightweight and white or light-coloured clothing.
In the lush vistas of Kataragama, where the sacred intertwines seamlessly with the everyday, I rediscovered the enigmatic allure of hope. This year, during the Sinhala and Tamil New Year, a cherished invitation from my friend Dishan Gunasekera, the Basnayake Nilame of the Ruhunu Kataragama Maha Devalaya, offered me a chance to revisit this spiritual sanctuary after decades.
My earliest memory of Kataragama was as a seven-year-old child, with the vivid impression of the Menik Ganga’s calm waters washing over me. This time, I saw the magnificent Menik Ganga, light brown, flowing just like our lives, with men and women from all walks of life dipping into it.
I was told that 2,300 years of history of the Ruhunu Kataragama Maha Devalaya and the Menik Ganga were interwoven and devotees used to physically purify themselves in the river before stepping into the devalaya. Amidst this, looking at the Menik Ganga, I remembered my father, whom I lost 30 years ago. Just like my mother, who is 80 now, my father battled with decades of depression and religion was the only hope we had. It was a personal reflection of a man who shaped my thinking and let his life flow like a river, despite many hurdles.
That memory was followed by one of a triumphant visit with my school cricket team 31 years ago, a reward for winning the limited-over encounter against our archrivals. A set of youthful and rebellious youth, we all were calmed the minute we set foot on the Kataragama Maha Devalaya premises. It was magical then and it’s magical now.
Yet, this recent journey was different – it wasn’t about personal nostalgia but a more profound, communal calling. It’s a calling to serve once again.
The drive from Colombo took just two-and-a-half hours on the highway, but the transition was profound. As urban landscapes gave way to verdant groves, my conversation with my colleagues transitioned from the mundane to the spiritual, listening to evergreen Nanda Malini and Amaradeva and signature Sri Lankan calypso, touching on the nuanced overlaps of politics and societal beliefs.
True spirit of Kataragama
Upon arrival, Dishan insisted I partake in the 10.30 a.m. ‘puja,’ a morning ritual at the devalaya. Standing right in the middle of the Maha Devalaya amid the faithful – men, women, and children alike on either side – I was struck by the palpable air of devotion. Their eyes, filled with earnest hope, seemed to search for something far more significant than individual desires. It was in this collective yearning that the true spirit of Kataragama was revealed.
The bells chimed, their resonant frequencies ushering my mind into a meditative trance. This was not just a religious ceremony; it was a profound gathering of souls from diverse backgrounds – rich and poor, Buddhists, Hindus, Christians, and Muslims from across Sri Lanka, including Jaffna, Colombo, Kalmunai, and Matara. Here, social distinctions like caste and class dissolved into the background, overridden by a shared humanity and hope.
People were free from the burdens of the rat race of life. The smiles were everywhere. Eyes were talking with strangers. The differences were none. For once, the world was peaceful.
Just last week, I wrote about the ‘power of unity,’ yet standing in Kataragama, unity seemed too small a word to encompass the deep connections forged in this sacred space. I wanted to take a break from writing after the column titled ‘The power of unity’ last week, as I have been writing every Sunday since August 2023. Still, the Kataragama visit changed me and this is a story I could not have ignored because Kataragama taught me that the real ‘power of unity’ is practised at the Ruhunu Kataragama Maha Devalaya.
Kataragama is a safe space. A space to be vulnerable. A place to remove your masquerade.
The power of hope
The following day, walking barefoot around the devalaya grounds with Dishan, I felt grounded by the earth beneath my feet, unbothered by the searing heat of the sand. This physical journey mirrored our spiritual path: resilience and humility. Kataragama humbles you. There is no space for ego. You are nothing amidst thousands of people. The mystery of hope connects everyone around.
Hope, often likened to a guide in the fog, remains one of humanity’s most profound yet elusive emotions. It is the silent engine of our psyche, powering us through uncertainty toward unseen horizons. Hope is not just an emotion but a necessary element of human survival, a psychological imperative as essential as air.
For many, hope is born from the depths of despair. In the darkest moments, when obstacles seem invincible, hope lends us the vision to see beyond immediate difficulties. It is a testament to our inherent resilience, the psychological muscle flexing against the weight of adversity. This mysterious force does not merely float in the ether of abstract positivity; it is rooted in the cognitive processes that govern our perception and actions.
The nature of hope varies widely among individuals and cultures, shaped by personal experiences and collective histories. For some, hope is a quiet sense of possibility that things will improve, while for others, it is an active belief in specific outcomes, like the healing of a loved one or the dream of a better life. Regardless of its form, the effect of hope on the human mind is transformative.
Kataragama is not the only place in Sri Lanka that provides hope. I have witnessed this at the Nallur Kandaswamy Kovil in Jaffna, Koneswaram Kovil in Trincomalee, St. Anne’s Church in Thalawila, Madhu Church in Mannar, the Basilica in Ragama, and many Buddhist temples, including Kelaniya and Gangaramaya, around the country. The mosques, too, provide hope.
In the same way, there are plenty of people who use religion for their gains and those are the people who ruin the innocent religious beliefs of people. There are plenty of pseudo-prophets, arahats, and extremist moulavis nowadays and gullible people are flocking around them, fattening their wallets.
Irrespective of where you worship, it’s your mind that needs to be at peace and therefore religion has a pivotal role to play.
Where did Sri Lanka go wrong?
I often wonder why Sri Lanka, which is blessed with thousands of years shaped by Buddhist philosophy and the strong influence of Christianity, Hinduism, and Islam, had to go through centuries of mistrust and decades of violence.
Sri Lanka is perhaps one of the few countries in the world where all religions are interwoven into the fabric of society. You cannot miss a temple, church, kovil, or mosque anywhere you travel in this beautiful country. Where did it go wrong? I often think that if religious leaders had used their power to heal the people instead of creating their empires, Sri Lanka could have been a case study for the world.
However, the mystery of hope extends beyond its psychological and physiological effects; it encompasses its ability to foster communal bonds. Shared hopes can unite disparate groups, creating communities of action. Whether through collective movements for social change or support groups for those battling illness, hope can transform individual aspirations into powerful social currents that advance collective well-being.
Intriguingly, the capacity for hope can be cultivated. Like a muscle that strengthens with use, our ability to hope can expand through practices such as mindfulness, which enhances our awareness and appreciation of the present and allows us to visualise a better future. Literature and storytelling are other vehicles through which hope is often transmitted, offering examples of endurance and triumph that expand our reservoirs of hope.
Hope, therefore, is not merely wishful thinking but a dynamic cognitive process that propels us forward, equipping us to face life’s challenges with a belief in eventual success. It shapes our perception, moulds our physiological responses, and catalyses communal solidarity and action.
In its most profound essence, hope is the belief in the narrative of our own lives – that despite current struggles, the chapters ahead can bring fulfilment, joy, and peace. This mystery of hope, with its varied manifestations and profound effects, continues to fascinate and inspire, serving as a vital force in the saga of human resilience and progress.
Kataragama is unique because there are no barriers to entry. It is a place for anyone and everyone. It is a place for national unity.
Practical compassion
Dishan, well before the visit, in multiple conversations, shared his vision for the Maharagama Apeksha Cancer Hospital project – a guiding light of hope that would extend the sanctuary’s healing beyond spiritual to physical realms. The initiative to allow devotees to contribute directly to this cause instead of traditional donations to the devalaya was a testament to the evolving practices of faith – a fusion of devotion and practical compassion.
Practical compassion is key in a world where people, in the name of religion, muster millions for their benefit. Donating to the Cancer Hospital project is a path to practical compassion where a devotee can witness tangible results, providing hope for innocent people battling cancer.
In the last few months, devotees of the Ruhunu Kataragama Maha Devalaya have donated Rs. 100 million for the cancer project. A four-storey hospital premises at Maharagama with 25,000 square feet and 76 beds is nearing completion. Many silently donated money and many more supported the hospital project in different ways. This is paving the way for an ambitious project to build a much larger hospital premises, due to the year-on-year increase in cancer incidence in the country.
The seven-storey building with 500 beds and facilities could cost Rs. 1 billion ($ 3.3 million). It looks like a significant amount; however, it’s simple: you need a million devotees donating Rs. 1,000 ($ 3.3) each. This same formula, one day, can be adopted by any charity, which could provide transparency. Rs. 1,000 is one beer and a cigarette; half of a movie ticket in a premium theatre; one-fifth of a buffet in a hotel.
Within five days, the core team of volunteers reached out to a few billionaires, entrepreneurs, corporate executives, and a set of people who didn’t have money to contribute but who would give minds, arms, and legs. A bank came forward to facilitate the donations; a multinational corporation committed technology to facilitate digital transactions; a digital media company came on board pro bono to build a sustainable narrative.
Within hours, 32 powerful digital assets under our collective command committed to the cause. A few of my colleagues in different parts of the world committed to amplifying the narrative. A well-known audit firm will be called to scrutinise every transaction to create transparency. An iron-clad process is vital to uphold the sanctity of the initiative. People from all over the world are flocking. Isn’t this amazing?
The power of unity, the power of people, and the power of Sri Lankans with the support of non-Sri Lankans were on display.
I coined ‘Kanda Surindu Apeksha’ as a brand name for this initiative, tying the deep-seated spiritual identity of Kataragama with the tangible hope it would bring to countless battling cancer. This wasn’t just about building a brand; it was about crafting a narrative that would resonate worldwide, emphasising that hope can indeed triumph over despair.
The strategy was put into action immediately and I hope and pray that Basnayake Nilame Gunasekera will now be able to kickstart the initiative on a grand scale. The Basnayake Nilame, who is on a five-year tenure, has only 18 months left and told me that he wants to move on after 18 months and hand over the devalaya to the next Basnayake Nilame in good shape. In a world where everyone clings to position and power, I found Gunasekera to be an exception. In Gunasekara, I saw a content, powerful civic leader. I hope he will honour his word that he will not get into politics, and in hindsight, he is not cut out for the ruthless political sphere.
A tourism story
Kataragama is a beautiful place. Yala National Park, the wildlife epicentre of the country, is around the corner. Yala heals your mind with beautiful creatures that remind you of the power of the universe. Kataragama is the place for authentic Sri Lankan food; lush green trees of different shapes and sizes; amazing people from the village; and smiles of gold. This could be a tourism story.
Sri Lanka in its good year in 2018 attracted two million tourists. I often think, why not a million more for religious tourism, backed by art, design, culture, and heritage? What would it take to pull a part of millions worshipping in other South Asian countries given the airline connectivity to Colombo? Why not direct flights to Mattala Airport, which is struggling, to make any sense of the mammoth investment often touted as a white elephant?
I was talking to a few traders in Kataragama and they are reeling due to low business given the economic struggles of the people in the country, but a person like Kodituwakku, who has been selling sweets for decades, forgets the pain of running a business to serve customers with a smile. This is Asia’s century and this is Sri Lanka’s century too.
The people in the world are battling with depression, consumerism, and stressful life and Sri Lanka could be the place to breathe fresh air under blue skies, in 30-degree temperature, and with eight hours of sunlight, offering healing for the mind, body, and soul. There is no other country in the world that can offer what Sri Lanka truly can offer to the world.
Kataragama can be the catalyst. The same concept tested well can be extended to other religious places irrespective of religion. When you are willing to learn about other religions, you tend to understand why people behave as they do. When you learn about other religions, you tend to respect who they are. No religion professes violence and hate. It’s time to give space for other people’s beliefs and faith. The world will be a better place once you understand the true meaning of respect.
I always believed that you need a face to create a movement. I suggested that Basnayake Nilame Gunasekera be the face, which he politely declined, saying it should not be about him but that it should be about the concept. So this initiative will run without a face. Instead, I urged the team to get footage of thousands of testimonies which could reach millions of people around the globe. ‘Kanda Surindu Apeksha’ will be built by the people for the people. The power of belief of thousands of people from all walks of life can create a ripple of hope.
Faith, hope, charity
In reflecting on this profound experience, Sri Aurobindo’s teachings on the power of belief and the divinity of hope come to mind. In 2023, I visited Matrimandir in Pondicherry, which provided me with powerful learning about human psychology. He believed that our spiritual evolution was as inevitable as the blooming of the flowers around us. In Kataragama, where the sacred flame trees blossom in vibrant hues, their fiery petals are a reminder of the ceaseless cycle of life and regeneration. Just like these trees, our beliefs have roots that go deep, capable of weathering any storm.
As you read this, imagine yourself in Kataragama. Feel the magical waters of the Menik Ganga on your skin, hear the sacred bells chime, see the hopeful faces of devotees, and let yourself be moved by the powerful narrative of unity and faith that transcends all human divides. Here in Kataragama, hope is not just a concept but a living, breathing presence, woven into the very fabric of the place and its people.
Let us hold on to this hope, nurturing it within ourselves and extending it outwards, as we build not just temples or hospitals but a future where faith, hope, and charity are the cornerstones of our human community.
In Robert F. Kennedy’s renowned ‘Ripple of Hope’ speech on 6 June 1966 at the University of Cape Town, South Africa, he eloquently expressed the idea that each small effort contributes to the grand sweep of history, asserting: “Each time a man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends forth a tiny ripple of hope, and crossing each other from a million different centres of energy and daring, those ripples build a current which can sweep down the mightiest walls of oppression and resistance.”
This sentiment resonates deeply with the story of Kataragama, where diverse groups of people, transcending their apparent differences, come together in shared spiritual practice and collective hope. In Kataragama, every prayer and every act of devotion adds to a powerful communal tide that upholds not just the sanctity of the place but also embodies a microcosm of the hope for unity and peace across Sri Lanka.
Like Kennedy’s ripples, each individual’s hope and faith in Kataragama contribute to a larger story of communal harmony and mutual support, echoing the possibility of overcoming larger societal challenges through solidarity and shared belief.
